Prof. Dr. Karsten Harries







a.  Change and Permanence.  A Study of Structure, Symbol, and Idea in Eight Major Prose Works by Hermann Hesse, Scholars of the House Program, Yale University






b.  In a Strange Land.  An Exploration of Nihilism, Ph. D. dissertation, Yale University. 






1. "Heidegger and Hölderlin: The Limits of Language," The Personalist, vol. 44, no. l, 1963, pp. 5-23.


1a.  Spanish translation by Jose Jara: "Heidegger y Hölderlin. Los límites del lenguaje," Anales de la Universidad de Chile, vol. 125, no. 141-144, 1967, pp. 5-26.


2. "Cusanus and the Platonic Idea," The New Scholasticism, vol. 7, no. 2, 1963, pp. 188-203.


3. "A Note on John Wild's Review of Being and Time," The Review of

            Metaphysics, vol. 17, no. 2, 1963, pp. 296-300.






4. "The Gnoseo-Ontological Circle and the End of Ontology," review of Katharina Kanthack, Nicolai Hartmann und das Ende der Ontologie, The Review of Metaphysics, vol. 17, no. 4, 1964, pp. 577-585.






5.  Review:  E. Kaelin, An Existentialist Aesthetic: The Theories of

Sartre and Merleau-Ponty, Journal of Existentialism, vol. 5, no. 20, 1965, pp. 445-450.






6.  "Irrationalism and Cartesian Method," Journal of Existentialism, vol. 6, no. 23, 1966, pp. 295-304.


 7.  "Heidegger's Conception of the Holy," The Personalist, vol. 47, no. 2, 1966, pp. 169-184.






 8.  Review:  A Manser, Sartre: A Philosophical Study, Yale Review,

            vol. 56, no. 2, 1967, pp. xxiv and xxvi.


 9.  "Martin Heidegger: The Search for Meaning," Existential

            Philosophers, ed. G. Schrader (New York: McGraw-Hill, 1967),

            pp. 161-208.


10.  "Hölderlin," "Keyserling," "Kleist," "Novalis," "Solger," and

            "Ziegler," The Encyclopedia of Philosophy, ed. Paul Edwards

            (New York: Macmillan, 1967), vol. 4, pp. 51-52, 334-335, 344-

            345; vol. 5, pp. 525-526; vol. 7, p. 487; vol. 8, p. 379.






11. "Two Conflicting Interpretations of Language in Wittgenstein's

Investigations," Kantstudien, vol. 59, no. 4, 1968, pp. 397- 409.


12.  "Wittgenstein and Heidegger: The Relationship of the Philosopher to Language," The Journal of Value Inquiry, vol. 2, no. 4, 1968, pp. 281-291.


13.         Review: The Critical Spirit: Essays in Honor of Herbert Marcuse, Yale Review, vol. 57, no. 2, 1968, pp. xxii, xxiv, and xxvi.


14.   The Meaning of Modern Art: A Philosophical Interpretation, (Evanston: Northwestern University Press, 1968), xiv and 166 p


14a. Japanese translation by Takeo Narukawa:  Gendai Geijutsu e no shisaku-Tetsugakuteki Kaishaku (Tokyo: Tamagawa University Press, 1976), 288 pp.  Preface for the Japanese edition added.


14b.  Korean translation by Oh, Byung Nam. HyunDaiMisuhl: Geu ChulHakchuk EuiMi (Seoul, 1988), 262 pp.






15.  "Making the Visible Visible," Eye, Magazine of the Yale Arts Association, no. 3, 1969, pp. 36-39.






16.  "In Search of Social Science," review of Alfred Schutz, The Phenomenology of the Social World, Journal of Value Inquiry, vol. 6, no. 1, 1970, pp. 65-75.


17.  "Das befreite Nichts," Durchblicke: Martin Heidegger zum 80. Geburtstag (Frankfurt am Main: Klostermann, 1970), pp. 39-62.






18.  "Modern Art and the Essence of the Modern," review, Walter Biemel, Philosophische Analysen zur Kunst der Gegenwart, Man and World, vol. 4, no. 2, 1971, pp. 202-222.






19.  Review:  Martin Heidegger, On the Way to Language, PhilosophicaL Review, July 1972, pp. 387-389.





20. "Descartes, Perspective, and the Angelic Eye," Yale French Studies,. 49, 1973, pp. 28-42.






21.  Review:  Hans Aurenhammer, J. B. Fischer von Erlach, Yale  Review, Autumn 1974, pp. 102-106.


22.  "Hegel on the Future of Art," The Review of Metaphysics, vol. 27, no. 4, 1974, pp. 677-696






23.  "The Infinite Sphere: Comments on the History of a Metaphor," The Journal of the History of Philosophy, vol. 13, no. l,1975, pp. 5-15.


24.  "Problems of Marxist Esthetics," review, Henri Arvon, Marxist Esthetics, Journal of Chinese Philosophy, vol. 2, no. 2, 1975, pp. 203-215.


25.  "The Ethical Function of Architecture," Journal of Architectural Education, vol. 29, no. l, 1975, p. 14.


25a. Reprinted in Theorizing a New Agenda for Architecture. An Anthology of Architectural Theory, ed.  Kate Nesbitt, (New York:  Princeton Architectural Press, 1996), pp. 392-395.






26.  "Language and Silence: Heidegger's Dialogue with Georg Trakl,"

            Boundary 2, vol. 4, no. 2, 1976, pp. 495-509.


                        26a.  Reprinted in Martin Heidegger and the Question

                                     of Literature (Bloomington: Indiana University

                                     Press, 1979), pp. 155-171.


27. Review:  "The Contradiction of Liberal Thought," review of Roberto Mangabeira Unger, Knowledge and Politics, The Yale Law Journal, vol. 85, no. 6, 1976, pp. 847-854.



28.  "Heidegger as a Political Thinker," The Review of Metaphysics, vol. 29, no. 4, 1976, pp. 644-669.


                        28a.  Reprinted in Heidegger and Modern Philosophy:

                                     Critical Essays, ed. Michael Murray (New Haven:

                                     Yale, 1978), pp. 304-328.


29.  Review:  George F. Sefler, Language and the World: A Methodological Synthesis Within the Writings of Martin Heidegger and Ludwig Wittgenstein, Philosophical Review, vol. 85, no. 3, 1976,    pp. 422-426.






30.  "Death and Utopia: Towards a Critique of the Ethics of Satisfaction," Resarch in Phenomenology, vol. 7, 1977, pp. 138-152.


30a.  Reprinted in Radical Phenomenology, ed. John Sallis (Atlantic Highlands: Humanities Press, 1978), pp. 138-152.






31.  "Fundamental Ontology and the Search for Man's Place," Heidegger and Modern Philosophy (New Haven: Yale University Press, 1978), pp. 65-79.


32.  "Metaphor and Transcendence,"Critical Inquiry, vol. 5, no. l, 1978, pp. 73-90.


                        32a.  Reprinted in On Metaphor, ed. Sheldon Sacks

(Chicago: Chicago University Press, 1979), pp. 71-88.


33.  "The Many Uses of Metaphor," Critical Inquiry, vol. 5, no. 1, 1978, pp. 167-174.


                        33a.  Reprinted in On Metaphor, pp. 165-172.


34.  "Philosophy and History," History as a Tool in Critical Interpretation. A Symposium (Provo: Brigham Young University Press, 1978), pp. 19-37.


35.  "History as a Critical Tool: A Dialogue," (Monroe Beardsley, Karsten Harries, E. H.       Gombrich, Rene Wellek, W. S. Hirsch, Jr.), Ibid., pp. 51-56.


36.  Review:  T. K. Seung,  Cultural Thematics, Philosophy and Phenomenological Research, vol. 31, no. 1, 1978, pp. 146-147.


37.  Review:  Thomas A. Fay, Heidegger: The Critique of Logic,

International Studies in Philosophy, vol. 10, 1978, pp. 245- 246.






38.  "Meta-Criticism and Meta-Poetry:  A Critique of Theoretical Anarchy," Research in Phenomenology, vol. 9, 1979, pp. 54-73.






39.  Review:  David A. White, Heidegger and the Language of Poetry, Philosophy and Literature, vol. 4, no. 1, 1980, pp. 132-133.


40.  "Copernican Reflections," review of Hans Blumenberg, Die Genesis der kopernikanischen Welt, Inquiry, vol. 23, 1980, pp. 253-269.


41.  "Transformations of the Subjunctive," Thought, vol. 55, no. 218, 1980, pp. 283-294.


42.  "The Absence of the Real," (Abstract of a paper delivered in an APA symposium on The Issue of Presence), The Journal of Philosophy, vol. 77, no. 10, 1980, pp. 644-646.


43.  "The Dream of the Complete Building," Perspecta, vol. 17, 1980, pp. 36-43.






44.  "Insight and Madness," review of Ronald Hayman, Nietzsche: A Critical Life, The Yale Review, vol. 70, no. 2, 1981, pp. 288-295.


45.  Review:  Joseph Fell, Heidegger and Sartre: An Essay on Being and Place, Man and World, vol. 14, 1981, pp. 66-73.






46.  Review:  Murray Krieger, Arts on the Level: The Fall of the Elite Object, Journal of Aesthetics and Art Criticism, vol. 40, no. 3, 1982, pp. 333-334.


47.  Review:  J. Wolf, Hermeneutic Philosophy and the Sociology of Art, The Review of Metaphysics, vol. 35, no. 2, 1982, pp. 419-420.


48.  "The Painter and the Word," Bennington Review, no. 13, June             1982, pp. 19-25.


49.  "Building and the Terror of Time," Perspecta, vol. 19, 1982,

            pp. 59-69.


50.  "The Pursuit of Presence in Modern Art," Beauty and Critique, ed. Richard Milazzo (New York: T S L Press, 1982), pp. 45-58.





51.   The Bavarian Rococo Church: Between Faith and Aestheticism (New Haven: Yale University Press, 1983). Runner-up, Confédération internationale des Négociants en Oeuvres d’Art (C.I.N.O.A) Award, 1982


52.  "Copernican Reflections and the Tasks of Metaphysics," International Philosophical Quarterly, vol. 23, no. 3, 1983, pp. 235-250.


53.  "Thoughts on a Non-Arbitrary Architecture," Perspecta, vol. 20, 1983, pp. 9-20.


53a.  Reprint: 'Thoughts on a Nonarbitrary Architecture," Dwelling, Seeing, and Designing:  Toward a Phenomenological Ecology, ed. David Seamon (Albany: SUNY Press, 1993), pp. 41 - 59.




54.  "Space, Place, and Ethos: Reflections on the Ethical Function of Architecture," artibus et historiae, no. 8, 1984, pp. 159-165.


55.  "On Truth and Lie in Architecture," Via 7, 1984, pp. 47-57.






56.  Review:  R. Musil, On Mach's Theories, The Review of Metaphysics, March 1985, pp. 668-670.


57.  Translation with Notes and Introduction of Martin Heidegger, The Self-Assertion of the German University and The Rectorate1933/34: Facts and Thoughts, The Review of Metaphysics, March 1985, pp. 467-502.


58.  Review:  Bryan Magee, The Philosophy of Schopenhauer, Journal of the History of Philosophy, Vol. 23, 1985, No. 3, pp. 441-444.


59.  "The Ethical Function of Architecture," Descriptions, ed. Don Ihde and Hugh J. Silverman (Albany: SUNY Press, 1985), pp. 129-140.


60.  "Die Ungegenwärtigkeit der Erfüllung," Georg Lukacs - Ersehnte Totalität (Bochum: Germinal, 1986), Band I des Bloch-Lukacs Symposium in Dubrovnik, 1985.


63a.  "Neprisutnost ispunjenja," tr. Igor Bosnjak, Filozofska Istrazivanja, vol. 14, 1985, pp. 469-482.


61.  "Modernity's Bad Conscience," AA Files, no. 10, Autumn 1985, pp. 53-60.






62.  Review:  Bernd Roeck: Elias Holl: Architekt einer europäischen Stadt, The American Historical Review, vol. 91, no. 1, February 1986, p. 130.


63.  Review: Alexander Nehamas, Nietzsche: Life as Literature, The New York Times Book Review, January 1986.    


64.  "Boundary Disputes," Abstract of a paper delivered in an APA symposium on Literary Fiction as Philosophy, The Journal of Philosophy, vol. 83, no. 11, November 1986, pp. 676-677.






65.  "Architecture and Ontology," Creativity and Common Sense.  Essays in Honor of Paul Weiss, ed. Thomas Krettek (Albany: State University of New York Press, 1987), pp. 145-161.


66.  "Philosophy and the Task of Architecture," Journal of Architectural Education, Jubilee Issue, 1987, vol. 40, no. 2, pp. 29-30.



67.  Review: Hans Blumenberg, Lebenszeit und Weltzeit, The Journal of Philosophy, vol. LXXXIV, no. 9, Sept. 1987, pp. 516-519.





68.  "The Voices of Space," Center.  A Journal for Architecture in America, vol. 4, 1988, pp. 34-49.


69.  "Decoration, Death, and Devil," Hermann Broch. Literature, Philosophy, Politics.  The Yale Broch Symposium 1986 (Columbia, S. C.: Camden House, 1988), pp. 279-297.


70.  "Representation and Re-Presentation in Architecture," VIA 9, 1988, pp. 13-24.


71.  "The Ethical Significance of Modern Art," Design for Arts in Education, vol. 89, no. 6 (July/August 1988), pp. 2-12.


71a.  Reprint: "The Ethical Significance of Modern Art," in Aesthetics in Perspective, ed, Kathleen M. Higgins (Forth Worth:Harcourt Brace College Publishers, 1996), pp. 195-204.


72.  "Truth and Freedom," Edmund Husserl and the Phenomenological Tradition, ed. Robert Sokolowski (Washington: Catholic University Press, 1988), pp.131-155.


73.  "The Philosopher at Sea," Nietzsche's New Seas.  Explorations in Philosophy, Aesthetics, and Politics, ed. Michael Allen Gillespie and Tracy B. Strong (Chicago: Chicago University Press, 1988), pp. 21-44.


73 a.  Literature Resource Center (LRC), Gale Research, permission request to use article, May 11, 1998, granted May 15, 1998, to appear on Gale Net.


74.  "Authenticity and Theatricality: Second Thoughts on The Bavarian Rococo Church," Stanford Literature Review (Spring/Fall 1988), pp. 179-195.






75.  The Broken Frame.  Three Lectures (Washington: Catholic University Press, 1989).


76.  Review: Joseph J. Kockelmans, Heidegger on Art and Art Works, International Studies in Philosophy, vol. XXI, no. 3 (1989), pp. 126-127.


77.  Review: "Phenomenology Beyond the Spirit of Revenge," review of Kah Kyung Cho, Bewusstsein und Natursein. PhänomenologischerWest-Ost Diwan, Research in Phenomenology, vol.19 (November 1989), pp. 275-282.


78. "Heidegger and the Problem of Style in Interpretation" Irish Philosophical Journal, vol. 6 (1989), pp. 250-274.


79. "Problems of the Infinite: Cusanus and Descartes," American Catholic Philosophical Quarterly (Winter 1989), pp. 89-110.






80.  Review:  Leszek Kolakowski, The Presence of Myth, The New York Times Book Review, Jan. 14, 1990, pp. 24-25.        


81.  Review:  Colleen McDannell and Bernard Lang, Heaven: A History, American Historical Review (June 1990), pp. 77 -774.


82.  "Introduction," Martin Heidegger and National Socialism: Questions and Answers (New York: Paragon Press, 1990), pp. xi-xl.


83.  "Theatricalityand Re-presentation," Perspecta, vol. 26, 1990, pp. 21-40.






84. "Narcissus and Pygmalion," Philosophy and Art.  Studies in Philosophy and the History of Philosopy, ed. Daniel O. Dahlstrom, (Washington: The Catholic University of America Press, 1991), pp. 53-72.


85.  With Elizabeth Langhorne-Reeve, "Terry Price: An Exhibition at the Casa," The Vieques Times, vol. 49 (January 1991), p. 9.


86.  Review:  David Kolb, Postmodern Sophistications, Review of   Metaphysics (March 1991), vol. XLIV, no. 3, pp. 641 - 642.           


86a.  Reprinted in Bulletin de la Société Américaine de Philosophie de Langue Française, vol. III, no. 3 (Winter 1991), pp. 261-263.


87.  Review:  Gary Shapiro, Nietzschean Narratives, International Studies in Philosophy, vol. 15, no.1 (April 1991), pp. 164-165.


88.  "Comments on Four Papers, ACSA Annual Meeting 1991," Environmental and Architectural Phenomenology Newsletter, vol. 2, no. 3 (Fall 1991), pp. 10-12.


89.  "Time, Death, and Building," Constancy and Change in Architecture, ed. Malcolm Quantrill and Bruce Webb (College Station, Texas A & M     University Press, 1991),  pp. 23-41.


90.  "The Voice of Architecture," panel discussion (with Kenneth Frampton and Christian Norberg-Schulz).  First International Cubit Symposium on Architecture and Culture, Texas A & M University, April 13, 1989.  Constancy and Change in  Architecture, pp. 61-75.


91.  Review: Richard Wolin, The Politics of Being.  The Political Thought of Martin Heidegger, Philosophy and Literature, vol. 15, no. 2  (October 1991) pp. 357-359.


92.  "Questioning the Question of the Worth of Life," The Journal of  Philosophy, Vol. 88, no.11 (November 1991), pp. 684-690.


93.  Review: Heinz Jürgen Sauermost, Die Asams als Architekten, and Herrmann Heckmann, Matthäus Daniel Pöppelmann und die Barockbaukunst in Dresden, Journal of the History of Architecture, vol. 50, no. 4  (December 1991), pp. 460- 462.


94.  "Poetry as Response.  Heidegger's Step Beyond Aestheticism,"  Midwest Studies in Philosophy, vol. 16, Philosophy and the Arts (Notre Dame: Notre Dame Press, 1991), pp. 73-88.






95.  Co-editor (with Christoph Jamme): Martin Heidegger: Kunst -- Politik -- Technik (München: Wilhelm Fink Verlag, 1992), 338 pp.


96.  "Verwahrloste Welt. Philosophie, Politik und Technik," Martin Heidegger: Kunst -- Politik -- Technik, pp. 203-221.


97.  Translation: Richard Rorty, "Eine andere mögliche Welt,"  "Martin Heidegger: Kunst -- Politik -- Technik, pp. 135-142.


98.  Review:  Arnold Berleant, Art and Engagement, The Review of Metaphysics, vol. XLV, no. 4 (June 1992), pp. 844-846.


99.  Review: Eric Blondel, Nietzsche: The Body and Culture.  Philosophy as a Philological Genealogy, Philosophy and Literature, vol. 16, no. 2 (October 1992), pp. 428-429.


100.  Review: Anne Hollander, Moving Pictures, American Historical Review, October 1992, pp. 1205-1206.


101.  Review: Robert Jan van Pelt and Carroll William Westfall, Architectural Principles in the Age of Historicism, American Historical Review, December 1992, p. 1490.






102.  "The Root of All Evil:  Lessons of an Epigram," The International Journal of Philosophical Studies, vol. 1, no. 1 (March 1993), pp. 1-20.


103.  Review:  Howard Colvin, Architecture and the After-Life, The American Historical Review, April 1993, p. 468.


104.  Review: Julian Young, Nietzsche's Philosophy of Art, Journal of the History of Philosophy, 3, vol. 31, no. 3 (July 1993), pp. 471-473.


105.  "Context, Confrontation, Folly," Perspecta 27, 1993, pp. 7 - 19.






106.  "Shame, Guilt, Responsibility," Essays on Jaspers and Heidgger, ed. Alan M. Olson (Philadelphia: Temple University Press, 1994), pp. 49 - 64.


107.  "Laubwerk auf Tapeten," Idealismus mit Folgen:  Die Epochenschwelle um 1800 in Kunst und Geisteswissenschaften, Festschrift zum 65. Geburtstag von Otto Pöggeler, ed. Hans-Jürgen Gawoll und Christoph Jamme (München: Fink, 1994), pp. 87-96.


108.  "Stari Most," International Forum at Yale, vol. 14, no. 2 (Summer 1994), pp. 4-5.


109.  "Beauty, Language, and Re-Presentation:  Notes Toward a Critique of Aesthetics — With Special Reference to Architecture," Transformations in Personhood and Culture After Theory, ed. Christie Mc Donald and Gary Wihl (University Park:  Pennsylvania State University Press, 1994), pp. 61-77. 


110.  Review: Christine Aka, Tot und vergessen?: Sterbebilder als Zeugnis katholischen Totengedenkens (Schriften des Westfalischen Freilichtmuseums Detmold, Landesmuseum fur Volkskunde, 1993),The American Historical Review, June1994, pp. 923-924.


111.  Review: Stanley Rosen, The Question of Being, A Reversal of Heidegger. International Journal of Philosophical Studies, vol. 2, no. 2 (September 1994), pp. 368-370.


112.  Co-editor (with Christoph Jamme): Martin Heidegger: Politics, Art, and Technology (New York:  Holmes and Meier, 1994), 271 pp.  Substantialy changed English version of 95.


113.  "Introduction," Martin Heidegger: Politics, Art, and Technology, pp. xiii-xii.


114.  "Philosophy, Politics, Technology," Martin Heidegger: Politics, Art, and Technology, pp. 225-245


115.  "Concluding Discussion," (with Klemens von Klemperer, Otto Pöggeler, Richard Rorty, et al.), Martin Heidegger: Politics, Art, and Technology, pp. 246-262.


116.  Translation (with Thomas Y. Levin): Joachim W. Storck, " Martin Heidegger and Elisabeth Blochmann, The Rector and the Emigrant: A Correspondence between Friends," Martin Heidegger: Politics, Art, and Technology, pp. 41-54.


117.  Translation (with Parvis Emad): Friedrich-Wilhelm von  Herrmann, "Technology, Politics, and Art in Heidegger's Beiträge zur Philosophie," Martin Heidegger: Politics, Art, and Technology, pp. 55-70.






118.  Review:  Laurence Lampert, Nietzsche and Modern Times.  A Study of Bacon, Descartes, and Nietzsche. International Journal of  Philosophical Studies, vol. 3, no. 1 (March 1995), pp. 197-199.


119.  "Authenticity, Poetry, God," From Phenomenology to Thought, Errancy, and Desire (Amsterdam:  Kluwer Academic Publishers, 1995), pp. 17-35.


120.  Review: Michael Allen Gillespie, Nihilism Before Nietzsche, American Political Science Review, vol. 89, no. 3 (September 1995), pp. 742-743.


121.  Review: Sarah Kofman, Nietzsche and Metaphor, trans. with an Introduction, Additional Notes, and a Bibliography by Duncan Large Philosophy and Literature, Vol. 19, Number 1, April 1995, pp. 153-154.






122.  Review: The Genesis of Heidegger's Being and Time, by Theodore Kisiel, International Journal of Philosophical Studies, vol. 4, no. 1 (March 1996), pp. 184-186


123.  "Warum überhaupt Architektur?" Wolkenkuckucksheim, vol. 1., no. 1, October 1996, /theoriederarchitektur/Wolke


124.  "Lessons of a Dream," Chora, Intervals in the Philosophy of   Architecture, ed. Albert Pérez-Gomez, vol. 2, 1996, pp. 91 -108.


125.  "Herkunft als Zukunft," Annäherungen an Martin Heidegger: Festschrift für Hugo Ott zum 65. Geburtstag, ed. Hermann Schäfer ( Frankfurt: Campus, 1996), pp. 41 - 64.






126.  The Ethical Function of Architecture (Cambridge, Mass.: MIT Press, 1997).

Winner of the 8th Annual AIA International Book Award for Criticism


126 a. Chinese translation (Beijing: Hua Xia Publishing House, 2001)


126 b. “The Ethical Function of Architecture,” Vernacular, September 2000, pp. 15-19.  Excerpt from The Ethical Function of Archjtecture, pp. 270-273.


126 c. "Introduction: Postmodern Prelude," Czech translation by Petr Kratochvil, O smyslu a interpretaciarchitektury, ed. Petr Kratochvil, Vysoká škola umělecko-průmyslová v Praze, 2005 (1. vydání)


127.  Place Identity as Burden, Opportunity, and Task," The Open City: Strategies of Transformation for the Conversion of the Philadelphia Navy Yard, ed. Tony Atkin (Philadelphia: Graduate School of Fine Arts, University of Pennsylvania, 1997), pp. 29 - 36.


128.  Review:  Thomas DaCosta Kaufman, Court, Cloister, and City. The Art and Culture of Central Europe 1450 - 1800, Journal of the Society of Architectural Historians, vol. 56, no. 2 (June 1997), pp. 227 - 229.


129.  Review: Mark Wigley, The Architecture of Deconstruction: Derrida's Haunt , International Studies in Philosophy, vol. 24, no. 4, 1997, pp. 149-150.






130.  "Matter, Meaning, and Mind in Architecture" Domus, no. 801 (February 1998), pp. 6-8.


130 a.  "Materia, significato e senso in architettura, Domus, no. 801 (February 1998), pp. 4-5.


131.  "World-Time, Life-Time, and the Time of Architecture"  OZ, vol. 20, 1998, pp. 4-9.


132.  "Streepen aan repen," Translation by Jan Willem Reimtsma of "Zips and Slashes," Nexus, 1998, no. 20, pp. 146 - 163.


133.   "Art and the Sacred: Postscript to a Seminar," Christian Sprituality   and the Culture of Modern:  The Thought of Louis Dupré, ed. Peter J. Casarella and George P. Schner, S. J. (Grand Rapids: Eerdmans, 1998), pp. 189 - 203.


134.  "Architecture: Modern Overview," Encyclopedia of Aesthetics, ed. Michael Kelly (New York, Oxford: Oxford University Press, 1998), vol. 1. pp. 87-89.


135.  "Heidegger's Confrontation with Aesthetics," Encyclopedia of Aesthetics,       ed. Michael Kelly (New York, Oxford: Oxford University Press, 1998), vol. 2. pp. 375-377.


136.  "Unterwegs zur Heimat," Wolkenkuckucksheim, vol. 3, no. 2 (June 1998), /theoriederarchitektur/Wolke






137.   "Descartes and the Labyrinth of the World," International Journal of Philosophical Studies, Vol. 6 (3), 307-330.


138.  "Nietzsche's Labyrinths, Variations on an Ancient Theme," Nietzsche and "An Architecture of Our Minds," ed. Alexandre Kostka and Irving Wohlfarth (The Getty Research Institute Publications and Exhibitions Program: Los Angeles, 1999), pp. 35-52.


139.  "Cities of the Future?  Questions, Nightmares, Dreams," Urban Futures.  A Loss of Shadows in the Flowing Spaces?, ed. Marrku Sotarauta (Helsinki: Finnish Society for Future Studies, 1999), pp. 162-175.


140.  “The Epochal Threshold and the Classical Ideal:  Hölderlin contra Hegel,” The Emergence of German Idealism, ed. Michael Baur and Daniel O. Dahlstrom (Washington: The Catholic University of America Press, 1999), pp.  147 – 175.






141.  "Art on the Threshold of the Third Millennium: Reflections on the End of Art," Korean and English, Wolgan Misool 67 (February 2000), pp. 66-76.


142. "Interview," relating to the above, only in Korean, Wolgan Misool 67 (February 2000), p. 73.


143.  "'The Coincidence of Opposing Extremities': Sacred Architecture and the Epochal Threshold," The Coincidence of Opposing Extremities: Mathematico-Architectural Planning Principles in the Central European Baroque Church, catalogue, ed. John Clagett, of a travelling exhibition of photographs (August 1999 - December 2000) Cambridge, MA, Ashikaga, Japan, Pittsburgh, PA, Houston, TX, Los Angeles, CA), sponsored by the Center for Ecumenical research in the Arts of Sciences, pp. 8-10.


144.  “On ‘Reading Structure Through the Frame,” Perspecta 31 (Cambridge, Mass: MIT, 2000), p. 81.


145.  Review of Richard Hill, Designs and their Consequences. Architecture and Aesthetics (Yale University Press, New Haven and London: 1999), CAA Reviews, 2000 (


146. “In Search of Home,” Bauen und Wohnen/ Building and Dwelling.  Martin Heidegger’s Foundation of a Phenomenology of Architecture, ed. Eduard Führ (Münster: Waxmann, 2000), pp. 101-120.

            English version of 136.


147.           “Is Stone Today ‘More Stone than it Used to Be?  Matter, Meaning, and Mind in Architecture,”  Matter and Mind in Architecture, The Seventh International Alvar Aalto Symposium (Jyväskulä: The Alvar Aalto Museum, The Finnish Association of Architects SAFA, The Museum of Finnish Architecture and Building Information Ltd, 2000), pp. 10-23.






148.  Infinity and Perspective (Cambridge, Mass.: MIT Press, 2001)          

Foreword Magazine’s Book of the Year Bronze Award Winner 2001 for Philosophy


149.  “Philosophy in Search of Itself,” What is Philosophy?, ed. C. P. Ragland and Sarah Heidt (New Haven and London: Yale University Press, 2001), pp. 47-73.


150.  "Maske und Schleier – Betrachtungen zur Oberflächlichkeit des Ornaments,” Die Rhetorik des Ornaments, ed. Isabelle Frank and Freia Hartung (München: Fink, 2001), pp. 103-120. 


151.  Review Article: T. J. Clark, Farewell to an Idea:  Episodes from a History of Modernism, The Art Bulletin (June 2001), vol. LXXXIII, no. 2, pp. 358-364.






152.  “Praise the Mutilated World,” Constructs, Yale School of Architecture,” Spring 2002


153.  “Sphere and Cross: Vitruvian Reflections on the Pantheon Type,” Body and Building.  Essays on the Changing Relation of Body and Architecture, ed. George Dodds and Robert Tavernor  (Cambridge,Mass.: MIT, 2002), pp. 150-161.


154.  “Architektura a situace v sedé zónû modernity,”III, ,trans. by Michal Kavan, Architekt, 2002, no. 2


155.  “On the Power and Limit of Transcendental Reflection,” From Kant to Davidson.  Philosophy and the Idea of the Transcendental, ed. Jeff Malpas (London and New York: Routledge, 2002), pp. 139-161.


156.  “The Responsibility of the Architect,” The Reflective Practitioner, (College of Architecture and Urban Studies | Virginia Tech, 2002), pp. 4-13.






157.  “Abendröte der Kunst?” Nietzsche und die Moderne, Natur und Kunst in Nietzsches Denken, ed. Harald Seufert (Köln, Weimar, Wien: Böhlau Verlag, 2002, pp. 59-74. 


158.  “Art in Search of Itself,” appeared only in a Korean translation, Wolgan Misool, Special Feature: Korean Art Criticism Now (February 2003), pp. 66-76.


159.   “Mask and Veil: Why Beauty Matters,” Design Philosophy Papers, published by Team D/E/S Queensland Australia, <>


160.  “Unterwegs zum Geviert,” Heidegger-Handbuch. Leben-Werk-Wirkung, ed. Dieter Thomae (Stuttgart, Weimar: Metzler, 2003), pp. 290-302.


161.  “Märchen als Kritik,” Zeitschrift für Kultur- und BildungswisseNschaften.  Flensburger Universitätszeitschrift, vol. 15 (2003), pp. 41-43.


162.  “L’Arquitectura I El Terror,” Visions, De l’escola técnica superior d’arquitectura de Barcelona,” no. 1 (2003), pp. 8-22,  Catalan translation of my lecture “Architecture and Terror.”


163. “Les Arquitectures Fantástiques I La Transcenndèncis Espiritual de La Perspectiva,” La Ciutat Que Mai No Existí.  Arquitectures fantàstiques en l’art occidental, Catàleg (Centre de cultura contemporània de Barcelona; Museo de Bellas Artes de Bilbao, de l’exposició del mateixtítoil presentada al CCCB del 23 d’octubre de 2003 al 1 de febrer de 2004, pp. 28 – 37.  Catalan translation of 163 b.


163 a.  “Las Arquitecturas Fantásticas y el significado espiritual de la perspectiva,” ibid., pp. 132-136.  Spanish translation of 163 b.


163 b.  “Fantastic Architectures and the Spiritual Significance of Perspective,” ibid., pp. 149-153.


164.  “Kotia etsimässä,” niin et näin, no. 38, 3/2003, pp.47-51.  Finnish translation by Pekka Passinmäki of a somewhat shortened version of 136.


165,  “Weltbild und Welttheater: Staunen, Schauen, Wissen,” Kunstkammer, Laboratorium, Bühne  Schauplätze des Wissens im 17, Jahrhundert, ed. Helmar Schramm, Ludger Schwarte, Jan Lazardzig (Berlin, New York: de Gruyter, 2003), pp. 521-540.


166.  Review of Jean Baudrillard and Jean Nouvel, The Singular Objects of Architecture, Modernism/Modernity, vol. 10, no. 3 (September 2003), pp. 569-71






167.  “Truth and Value Today:  Galileo contra Bellarmine,” Filozofski vestnik, volume 25, no. 2 (2004), pp. 75-96.


168.  “Journeys into the Wilderness of Artifice,” Lebbeus Woods, Tracy Myers, Karsten Harries, Lebbeus Woods: Experimental Architecture (Pittsburgh: Carnegie Museum of Art. 2004)


169.  “Aus- und einräumendes Bauen. Unser zwiespältiges Verlangen nach Freiheit und Geborgenheit.”  Gebaute Räume.  Zur kulturellen Formung von Architektur und Stadt. Wolkenkukucksheim, vol 9., no. 1 (November 2004)



170.  “Sartre and the Spirit of Revenge,” Sartre Studies International, vol. 10, no. 1 (2004), pp. 25-38.





171.      “Die Architektur heute und ihre fragwürdige Liebe zur Theorie,” Rundgespräch zur Architekturtheorie, Wolkenkukucksheim, vol 9., no. 2 (March 2005)



172.   An answer to the question “Has Science Far Surpassed Art or Vice Versa?” Yale University Art Gallery Website


173.  “Metaphors of a World Ruled by Artifice,” Text for the catalogue of the exhibition Habitación 523 (paintings by José Manuel Ballester), Palacio de Velázquez. Madrid.  1 ed. Madrid: Ministerio de Cultura, pp.  14-24.


174.  “Europa tussen droom en werkelijkheid.” Translation by Jan Willem Reimtsma of "Europe Between Dream and Reality," Nexus, 2005, no. 42, pp. 67 - 79.


175.  “World-Picture and World-Theater: Wonder, Vision, Knowledge,” Collection, Laboratory, Theater.  Scenes of Knowledge in the !7th Century, ed. Helmar Schramm, Ludger Schwarte, Jan Lazardzig (Berlin, New York: de Gruyter, 2005), pp. 507-525.  English version of 165. 


176. “Place and Placeless,” Text for the pamphlet of the exhibition Place and Placeless (works by Turner Brooks, Clint Jukala, and Levni Sinagoglu), Hampshire College, November 2005.






177.  Review: “Towards a New Poetics of Architecture,” review of Architecture in the Age of Divided Representation:  The Question of Creativity in the Shadow of Production by Dalibor Vesely, Building Research & Information (2006) 34 (3), pp. 295-298



178.  “On the Power and Poverty of Perspective: Cusanus and Alberti,” Cusanus: The Legacy of Learned Ignorance, ed. Peter Casarella (Washington, DC: Catholic University of America Press, 2006), pp. 105-126.


179.  "The Task of Art in the Age of the World Picture," The Body in Architecture, ed. Deborah Hauptmann (010 Publishers: Rotterdam, 2006), pp. 82-93.


180.  "Art, Beauty, and the Mystery of Form," De-/signing the  Urban. Techno-genesis and the urban image, ed. Patrick Healy and Gerhard Bruyns  (010 Publishers: Rotterdam, 2006), pp. 60-72.


181. “Space as Construct,” Archipelago.  Essays on Architecture. For Juhani Pallasmaa, ed. Peter MacKeith (Helsinki:  Rakennustieto Oy, 2006), pp. 74-85.




182. “”The Descent of the ‘Logos,’” Transcendental Heidegger, ed. Steven Crowell and Jeff Malpas (Stanford: Stanford University Press. 2007), pp. 74-92.


183.  “Waarom moeten we bang zijn voor kitsch.” Translation by Jan Willem Reimtsma of “Why Should We Be Afraid of Kitsch?” Nexus, 2007, no. 47, pp. 127-147,