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Vol. 6, No2 (January 2002) |
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abstracts:
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Search
for a New Form-Language in Architecture |
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The author describes the search for a new form language in architecture.
The beginning of a new form language was developed by Christopher Alexander,
Hajo Neis and students at the University of California, 'Design and Building
Process Area' in the Fall of 1999. Based on partial form languages such as the
'pattern language' and other recent research results in this direction of
architecture, and also based on a critic of the dominant form languages, a
first rough new form language was established and formulated.
This new form language is to describe buildings in the most physical way, so
that it provides us a language – a combinatorial system, within which we can
make the form of the buildings, and reach geometric and design form.
The new language we hope for, will not come from an arbitrary assumption, but
rather from the effort to construct a living architecture. We shall try to
establish that there are a few principles – not too complicated, indeed
rather simple to grasp – which will, together, in a very short space, define
the necessities and the necessary language, in a way that arises directly from
– and naturally from – the effort to create a living architecture.
(translated
by the author)
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Architectural
Facts in Search of a Language |
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This paper uses some examples
of vernacular courtyard buildings in different cultures to describe the possible
relationships and convergences among four different approaches to architectural
analysis, and goes on to speculate how these approaches, taken together, may
be useful to the analysis and design of contemporary work, including housing
and complex institutional buildings. Although these approaches have stood
apart from each other for various ideological and intellectual reasons, they
have demonstrated certain similarities of intention, along with the means
to together deal with more aspects of architectural experience than any one
of them could do alone.
The four approaches are the
following:
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First, the typological
approach as put forward by the Kriers, for example, in the 1970s and 80s,
and which still forms the basis for much criticism and discourse.
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Second, the approach of space
syntax as developed by Bill Hillier at the Bartlett School in London.
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Third and fourth, two
approaches of Christopher Alexander and his colleagues in California.
These include the pattern language, developed during the 1970s, and the
latest development in his work which is much more based in an idea of
unified form than the earlier pattern language.
Each of these four approaches
has pluses and minuses, if we are looking for an accurate and comprehensive
method of description and analysis, that includes form, the qualitative
aspects of rooms, and the experience of buildings. What I ask is whether there
is some way of combining these approaches, so that the positive aspects of one
will help to compensate for the negative aspects of the other. Such a
synthesis might help point the way toward a form language that has the
capability of bringing together various disparate modes of architectural
thought.
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Ordinary
Form Language: Projects in Breuberg (Germany) und Eugene, Oregon (USA)
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This paper explores one type of form language, an “ordinary
form language”, which may be defined as the form language of a group of buildings
that, when taken together, help to define the unique character of a particular
place. The paper discusses some
of the challenges that face architects and designers today who are interested
in designing and building within the context of an ordinary form language, and
then describes specific principles and processes that may help in sustaining
or creating ordinary form languages today. Two projects, one in the very traditional
context of Breuberg, Germany, and one in the more modern context of Eugene,
Oregon, are presented as examples where some of these principles and processes
have been implemented. |
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"Fahrspaß
und Formensprache" |
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I got the idea for this text
during a search in the internet on the topic „Formensprache (form language)“.
Many of the pages I found deal with cars (homepages, test-reports, etc.).
As a result of this, the question arises why and how, especially in the car
industry, the term „Formensprache“ is used so often and so self-evidently.
In the following, the two most frequent fields of application are examined:
Form language as an independent sales argument:
The whole as well as the detailed form of the car is described by form
language.
Form language as a sign to be recognized and to identify with:
On the one hand form language is used as a sign by which the whole brand can
be recognized, on the other hand the modified form language of the single
model is supposed to produce an identification of different groups of buyers
with the respective car.
After that, it will be examined how the term and the „quality“ of form
language can be used in the field of architecture and how this „quality“
can be imparted to the users of houses in a similar or even better way than
the users of cars.
(translated
by the author)
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Shapes
of Suitable Climate Construction,
Tradition and Change |
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The suitable climate construction of buildings has the
meaning of energy efficient construction. Since energy is always rare, the famous
builders and architects had to use all energy sources and resources. This had
a large influence on the forming of traditional buildings, which we nowadays
distinct as “vernacular building constructions”.
If we have to construct energy
efficient buildings, we do not need to build the old shape of traditional
constructions. Energy efficient construction in accordance with its climate is
not inseparable bound to the autochthonous shape of the construction. It is
required, to understand the operation of buildings. The application of new
materials in combination with an effective energy usage will then lead to new
shapes of constructions of suitable climate, adequate their former once, but
not a reproduction.
(translated
by the author)
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How should architectural form contribute to an urban
fabric? While the typical American grid sets up invisible constraints to urban
architecture, it also provides a basis for urban fabric overlays. As a case
study, we will utilize 9 principles of Form Language, formerly developed by
Christopher Alexander, Hajo Neis and students of UC Berkeley, to analyze the
City of Portland, Oregon. We will exam individual elements of urban architecture,
such as walls and windows, to the composition of these elements, the relationship
to local tradition, and how they compose the urban fabric. Such investigation
will inform a better understanding of its present form, and lead to visions
for future development. |
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Model
and Form Language in Dependence
on the Historical Fabric |
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This
text is dedicated to the planning of villages, settlements and outskirts. It
shall show at not everyday examples, how cautious planning can develop a
model for a place to become the basis of a common creative task of the
residents. Models are necessary to form places from human settlements.
Nowadays
we hardly find typical vernacular models. Instead international models
congregate in places, without having a logical connection with these or just
with each other. The orientation to the old has always been a main topic at
the following examples of the redeveloped place of Muttenz near Basel, of
the new building of housing estates near Biberach, and of the resettlement
of a whole village.
In
Muttenz the heavy, cubic main bodies of the farmhouses of the old place, the
perforated façades, often cut with unpretentious window openings, the
sophisticated thin-skinned saddleback roofs led to new interpretations by
the architects, though at an intensive language relationship with the old.
The
new housing estate of Biberach is relatively free, anyway the street room in
its proportions, the buildings of the old town that are mainly planned as
saddleback roof houses are the examples for the new housing estate. One
street in the new housing estate is calculated in such a way that it would
be absolutely suitable also for a renovation of the old town.
With
the resettlement of the place of Etzweiler it was impossible to create a
street village in the old meaning. Nevertheless the middle axis was important
to make concise streetspaces. So the street axis of the streets ‘Waldstrasse’,
‘Eichenstrasse’ and ‘Irisstrasse’ became the backbone of the settlement;
there is the biggest density of building that shows similar proportions
as in the old village and also leads to similar street structures, with
a kind of bordering buildings.
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The editorial staff keeps all rights, including
translation and photomechanical reproduction. Selections may be reprinted with
reference:
Wolkenkuckucksheim, Cloud-Cuckoo-Land, Vozdushnyj Zamok >/openarchive/Wolke/<
if the editorial staff is informed.
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